Creative Night: Digital Photography Tips & Techniques

Shooting in low light and at night is challenging, but it can result in stunning images, so don't put that digital camera away after the sun goes down! Start capturing eerie and intriguing photographs at all levels of light with this information-packed guide from renowned photographer and author Harold Davis.

He provides pages of field-tested techniques to help you find the proper exposures, including the best settings for ISO, aperture, and shutter. Don't miss the intriguing examples of his own work, including cityscapes, landscapes, and more.

• Walks readers through the intricacies of night and low light photography
• Explores the fundamental rules of exposure, including creative settings for ISO, aperture, and shutter speeds
• Informs and inspires with the author's own breathtaking examples of night photography, including cityscapes, landscapes, exciting night events, and other photos that illustrate the concepts

Capture the visually exciting world after the sun goes down with this essential guide to night photography.

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Amazon Exclusive: Interview with Award-Winning Photographer Harold Davis

What’s different about your approach?
They say that cameras don’t take photos, people do. It’s really true. Someone with a great eye can take masterful photos with an inexpensive camera. Therefore, it is important to know something about photo technique, but the really amazing thing is that we can conceptualize and come up with these bits and bytes that make up a photo—and they can be meaningful to people. I try to help people come up with images that are relevant and meaningful. Cameras and hardware are just tools.

What’s with all the photos in these books?
Well, everyone likes to look at striking images, so one thing my photos do in these books is get people’s attention. However, the photos play another role as well. Each photo in my book is accompanied by the story of how the photo was made and the technical data related to the photo. That way, if you’re not ready to dive into the text itself, you can learn a lot just by browsing the photos.

My feeling is that you truly do learn about photography by looking at photos. It’s much more important to look at images you admire and try and figure out why you like them than it is to read about photography. The photos in these books are baked into the DNA of the teaching strategy. By browsing through the pages, someone can learn a great deal and have an enjoyable visual experience at the same time.

What’s the most important thing that readers can get out of your new books?
I want to inspire readers to be the most creative and best photographers they can be. If you pick up one of my books, I hope you can make use of the technical content and see how the photos relate to some of your own work. The most important thing, however, is to take the ideas in the book, get out there, and do some really peddle-to-the-metal creative photography.