| Hieronymus Bosch (World of Art) |  | Author: Walter S. Gibson Publisher: Thames & Hudson Category: Book
List Price: $19.95 Buy Used: $3.38 as of 7/31/2010 02:00 CDT details You Save: $16.57 (83%)
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Seller: Daleside UK Rating: 2 reviews Sales Rank: 345,080
Media: Paperback Pages: 180 Number Of Items: 1 Shipping Weight (lbs): 1 Dimensions (in): 8.3 x 5.8 x 0.5
ISBN: 050020134X Dewey Decimal Number: 759.9492 EAN: 9780500201343 ASIN: 050020134X
Publication Date: February 17, 1985 Availability: Usually ships in 1-2 business days
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Product Description "An exceptional book, sensible, illuminating and readable...probably the best straightforward account of Bosch and his works which we shall have for some time."—Times Literary Supplement No one can look at the paintings of Hieronymus Bosch without amazement and bewilderment. Professor Gibson shows that what seems inexplicable to us today—the canvases full of torture, monsters, and leering devils—was perfectly intelligible to the fifteenth-century viewer. The subjects of Bosch's paintings were in fact the overwhelming concerns of late medieval Europe: the Last Judgment, original sin, death, temptations of the flesh. The author describes each picture in detail, placing each work within the context of medieval folklore and religion, and explains that many of the acts portrayed in the pictures were visual translations of verbal puns or metaphors.
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| Customer Reviews: Bosch the Medievalist July 28, 2010 Randall L. Wilson (San Francisco) I remember the first time I saw the poster of "The Gardens of Earthly Delights." I had the typical college freshman response that it blew my mind and made me feel that Bosch was an alien character who took on earthly form. What is so great about this account of his art, is that the author recognizes this response and takes it to a different place, a medieval world where satanic iconography isn't so strange.
At first I was disappointed he didn't single out "Garden" for lengthy and extended analysis and praise but after reading the book I realized that was the point. Gibson was showing the continuum of Bosch's work and "Garden" was in keeping with the rest of it and also that the iconography it contained was explainable within its medieval context.
The World Turned Right Again: Walter Gibson Explains Bosch January 5, 2000 Steven D. Skyles Mulligan (New York, NY) 45 out of 59 found this review helpful
Art is a mystical and magical phenomenon. For that reason, few scholars of the art of the past can resist the temptation to cloud their work with terminal over-analysis and obfuscating jargon. Fortunately, Walter Gibson (like St. Anthony in the desert) does not succumb to these demons. With a clear eye, he reviews the work, thought and religious sentiment of one of the most mystical painters in human history; however, he never lets daylight in upon magic. The reader finishes this delightful little tome on Bosch with a better understanding of his work, but a profound respect for his mystery. Gibson is erudite without being obfuscatory, respectful without being unduly ingratiating. An excellent work by someone who truly loves and understands art.
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